Some people think big. Some people think huge. And then there's Meat Loaf.
For the past 35 years, the man born Marvin Lee Aday has been a towering monument on the musical landscape. His legendary 1977 album 'Bat Out Of Hell' transformed this former high school football player, nightclub bouncer and stage actor into one of the great American rock 'n' roll icons. That record, with its staggering operatic sound and impassioned vocals, has sold more than 43 million albums worldwide – still one of the biggest-selling records ever.
Meat Loaf's reputation as one of music's greatest artists was underlined by such masterpieces as 'Dead Ringer' (1981), 'Bad Attitude'  and the 'Bat Out Of Hell' sequels 'Bat Out Of Hell II: Back Into Hell'  and 'Bat Out Of Hell III: The Monster Is Loose' . Other artists might have tried to match his scale and copy his sound, but no one has come close.
Now, more than 30 years after he exploded onto the world stage, Meat Loaf is back with a new record, 'Hang Cool Teddy Bear' [a title taken from a line in the classic Russ Meyer trash movie Beyond The Valley Of The Dolls]. From opener 'Peace On Earth' to closer 'Elvis In Vegas', its 13 tracks drag the classic Meat Loaf sound kicking and screaming into the 21st century.
"I wanted it big, I wanted it dramatic, I wanted a rock record," says Meat Loaf. "Yes, it sounds like a Meat Loaf record. But it sounds different too – it sounds new, it sounds fresh. It speaks to you in a different way."
Much of this newfound energy can be put down to Meat Loaf's working relationship with his new collaborator, producer Rob Cavallo (Green Day, My Chemical Romance Paramore, Fleetwood Mac). For the singer, it was a chance to work with one of the hottest producers around. For Cavallo, it was an opportunity to work with a childhood hero and a proper rock 'n' roll legend.
But there was one other piece to the jigsaw: Los Angeles-based screenwriter and director Kilian Kerwin, a long-time friend of the singer. As with every classic Meat Loaf album, 'Hang Cool Teddy Bear' has a bigger concept. It was one of Kerwin's short stories that inspired the singer to come up with the album's striking narrative.
"It's the story of a soldier," reveals Meat Loaf. "He's been in battle and he's lying face down on the ground. He can't move, but he turns his head and starts to see blood run across the ground, and so he thinks he's going to die. They always say you see your life flash backwards you when you're about to die. But his life flashes forward – into what possibly could happen. He sees what his life could be – the good and the bad. The songs are the different scenarios he finds himself in. It's not always the same time or the same place – but it's always the same woman. But I don't want to give too much away – I want people to work it out for themselves."
To flesh out his vision, Meat Loaf enlisted a set of elite musicians to play on the album, including guitarists Tim Pierce, Darkness frontman Justin Hawkins (who co-wrote two songs for the album), Paul Crook and Randy Flowers, legendary bass players Chris Chaney and Kasim Sulton, genius keyboardist Jamie Mulhoberac and the world’s greatest rock drummer (just ask Rob Cavallo) John Micelli. 'Hang Cool Teddy Bear' also features a stellar array of big-name guests, including Steve Vai (who appears on 'Love is Not Real'), former Queen guitarist Brian May (who appears on 'Song Of Madness' and 'Love Is Not Real'), American Idol presenter Kara DioGuardi (who co-wrote and sings on 'If I Can't Have You') and Hollywood star Jack Black, who duets with Meat Loaf on 'Like A Rose'.
But the most surprising guest is Hugh Laurie – the English actor famous for starring in Blackadder and hit US TV show House. It was while making a guest appearance on the latter that Meat Loaf met Laurie and discovered that he was a classically-trained pianist. What else could he do but ask the actor to play piano on the song If I Can't Have You?
But for all the star guests, Hang Cool Teddy Bear is Meat Loaf's album – his own dirty little secret. More than four decades into his career, the man – and his voice – is as big, bold and important as ever.