The Controversial music of Igor Stravinsky

Stravinsky is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century.

Stravinsky Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes: The Firebird, Petrushka and The Rite of Spring. The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.

Stravinsky's first neo-classical works were the ballet Pulcinella of 1920, and the stripped-down and delicately scored Octet for Wind Instruments of 1923. Stravinsky may have been preceded in his use of neoclassical devices by composers such as Sergei Prokofiev and Erik Satie. By the late 1920s and 1930s, the use by composers of neoclassicism had become widespread.  Stravinsky began using serial compositional techniques, including dodecaphony, the twelve-tone technique originally devised by Arnold Schoenberg, in the early 1950s.

We have a wide range of recordings of Stravainsky's works including one conducted by the composer himself and several conducted by Charles Dutoit, who is widely considered the foremost interpretor of the Russian composer's work.  You can find our complete catalogue here

Be the first to comment

Leave a Reply